I now have a job at a local thrift store; I started only one day before my untimely breakup, so for the first week of my job I went through the numb motions of learning the register and how to stock the floor. Fortunately for me, operating a thrift store can be done as easily as walking backwards over a flat surface. Junk pours in and out, the same people come in and shop, and the store's creed can be recited by rote with ease.
After several days I started to come more to life and notice the world around me.
I've always had an interesting time with antique and secondhand stores. Sometimes, when I touch or brush an object I get a strong emotional reaction. Some people call this phenomenon
psychometry and think it belongs to the "realm of the supernatural.*" I, however, think it belongs to the realm of the preternatural, meaning that "we don't have a scientific explanation for it yet, but someday we will.*" I also get feelings from just being in a place or in close proximity to the object.
At the store I feel little more than the wash of emotions and activities of the living. However, sometimes when it is quiet or there is a low volume of people in the store the building speaks to me.
Sometimes I feel an acute loss of sunlight, a missing of dusty fields and anthills, of grasses blowing in the wind. This is what I would call a first layer of impression, there from a time before Laramie itself existed. After this is an impression of clanking iron, the dusty smell of horses, and the coarse shout of men calling to one another. I don't know what first existed in that spot, but I get the idea that there was a stable or a depot nearby. Indeed, the modern-day train yard is within viewing distance of the shop.
The third layer of impression I feel is that of music, centered in the shop itself. I know the thrift store is not the first business on the location, so perhaps it was a music shop at one time. The final layer is that of the thrift store itself, again with the myriad impressions of thousands of different things coming from hundreds of different origins.
However, there is something lucid that moves throughout the store, I believe, felt not only on the sales floor, but upstairs among the maze of boxes, donations, and empty clothing racks. Several of the employees there do not feel comfortable in the store by themselves or after dark; indeed, D. and J.2 have both said that they didn't feel alone when they closed for the night or opened in the morning. I myself feel that something is either watching or listening to me when I walk upstairs or back into the electronics and books area. Nothing bad, just watchful, curious, and maybe even a little annoyed.
Four days ago I knelt next to a shelf of books near closing time, the store quiet save for a few last-minute shoppers and J., our manager, talking with J.2 by the register. As I straightened the books, looking down at a lower shelf, someone brushed by me out of the electronics room, which is low-ceilinged and closed in, rather like a cave. I felt the pressure of this person's passing, and the rush of wind against my cheek and temple. I glanced sideways, seeing in my half-view a slender slip of a man walking quickly toward the front of the store, shoulders hunched, wearing dark clothes, perhaps charcoal gray. Thinking it was a customer that needed help, I patted the last book into place and turned to get up, hoping to intercept the man before he made it all the way to the register to ask for assistance, saving him a few feet.
As I turned I realized that the man was no longer there and could not have disappeared from view in the amount of time that it took me to turn. J. and J.2 still spoke by the register. The door to the upstairs was closed and had not opened. I stood there blinking for a moment, thinking that perhaps J. had walked by, for he is slender and tall, but he himself was leaning against the counter, completely at ease and still.
Quietly, I made a quick circuit of the store. The last few customers had already left, and no one was nearby. I didn't say anything and just went back to the books.
*From
The Haunting, 1963